https://www.myfonts.com/fonts/wiescherdesign/supra-mezzo/
»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text into a relatively small space without loosing readability. The compactness with great legibility makes Supra Mezzo absolutely unique.
Arlette Font Family
Arlette font family expands the sans serif genre. Its curvy nature creates forms with gestural vigour, perfect for branding, editorial, young adult works, and packaging.
https://fontbundles.net/geekmissy/17263-hallsey-lowercase-script-font
I do a lot of double-uppercase fonts, so for a change of pace, here's a double-lowercase script font! Hallsey has one set of lowercase letters mapped to a-z, and then a full second set of lowercase letters mapped to A-Z. Mix them together for a hip, hand-lettered look!
Fedra Sans Bengali Font Family
After designing a Devanagari companion of Fedra Sans in 2007, Typotheque has worked with ITF to cover other Indian writing scripts, to extend the language coverage of Fedra Sans. Fedra Sans Bangla is a Bengali (??????) version of Fedra Sans. Originally developed for visual identities, it works well on paper and computer screen. The Indic script Bengali is the 6th most widely used writing system in the world, with with around 210 million native speakers.
https://fontbundles.net/geekmissy/83575-allegory-a-fun-and-curly-script
Around a year ago, I put out a font called United Scripts, in which each key you typed on your keyboard would produce not just a letter, but the full hand-lettered name of a U.S. state.
https://www.myfonts.com/fonts/wiescherdesign/moanin/
»Moanin« is closely related to my »Julienne«, it has the same (388) set of glyphs that is fit for all European languages. Plus normal and old style numbers and a full set of numerators and denominators. The family comes in seven weights from Thin to ExtraBold and of course all with matching italics.
https://fontbundles.net/geekmissy/56484-puckery-tart-a-tasty-lettering-font
I like almost all citrus, but I gotta be honest — lemons are by far my favorite. After wanting one for over 20 years, I recently got my very own lemon tree, so I'm celebrating by naming a font PUCKERY TART!
https://fontbundles.net/vladfedotovv/23309-boxo-font
Boxo is a sans serif display typeface with round corners. It's a very versatile typeface that works great in large and small sizes, tight and wide spacing.
https://fontbundles.net/geekmissy/19023-macguffin-fun-font-set
Simple, clean, and fun -- MacGuffin is like if Dr. Seuss and a highway sign got put in a blender and came out in font form.
https://www.myfonts.com/fonts/wiescherdesign/slam-rounded/
»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight rounded weights with corresponding oblique cuts. Enjoy this original font, it is a real work horse!
https://fontbundles.net/geekmissy/64995-velvet-pants-a-tall-narrow-caps-font
Tall. Narrow. Spaced wide. Sounds like a pair of fashionable trousers to me! Named after a song by the band Propellerheads, this font is fun for crafts, print, branding, and more!
Oranda Font Family - 6 Fonts
https://www.myfonts.com/fonts/bitstream/oranda/
Bitstream’s Oranda was designed by the noted Dutch designer Gerard Unger as a custom project for the European printer manufacturer, Océ, in 1986.
Replica Rough SG™ Font Family - 2 Fonts
https://www.myfonts.com/fonts/spiecegraphics/replica-rough-sg/
Here’s an edge-tattered, slightly distorted typeface that was developed from hand stamping using ink. You’ll find it ideal for both display and text situations where legibility is a big concern. This version holds up in very small sizes. Replica Rough SG Regular and Bold are now available in the OpenType format. This OpenType version includes stylistic alternates, discretionary ligatures, small caps, petite caps, ornaments and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
Barn Party Font
https://www.myfonts.com/fonts/missy-meyer/barn-party/
I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that’s something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right!
Schadow Font Family - 6 Fonts
https://www.myfonts.com/fonts/bitstream/schadow/
Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.
https://www.myfonts.com/fonts/calderon-estudio-type-foundry/bordonaro-spur-rounded/
The new version of Bordonaro Spur includes rounded corners. Meet it!
https://www.myfonts.com/fonts/calderon-estudio-type-foundry/bordonaro-script-rounded/
The new version of Bordonaro Script includes rounded corners. Meet it!
Clarendon No 1 Font Family - 7 Fonts
https://www.myfonts.com/fonts/urw/clarendon-no1/
https://creativemarket.com/DrewMelton/32705-Lastra
Say hello (again) to Lastra! Ideal for for the neighborhood cafe and/or restaurant. This updated version of Lastra looks even more delicious. This beautiful font comes only in capital letters (perfect if you want to make a statement). It also comes equipped with numbers along with a well stocked supply of special characters. Equipped with 5 complimentary styles and a variety of custom flourish glyphs you will be attracting new customers in no time.
Kommissar Font Family
Developed for print and screen-based editorial projects, Kommissar balances the need to be direct, compact, and distinctive with the ability to be both expressive and pragmatic. When approached by Fast Company creative director Florian Bachleda to provide the typographic palette for his redesign of the magazine in 2011, designers Christian Schwartz and Vincent Chan knew that their headline typeface needed to help support the goals of the redesign: making the magazine feel bright, open, fast-paced, and unabashedly digital.
Dolcetto Font Family
The epitome of elegance and grace, flowing effortlessly from letter to letter, Dolcetto is a must have for any project that requires an air of opulence and distinction. This refined and grand typeface comes fully loaded with 330 glyphs across 4 weights which all include stylistic alternates.
Sayfull Font
Sayfull is a bold sans serif font with playfull look. It contains all caps letters, numbers and symbols. This font suits for branding, prints, posters, banners, kids designs, handmade goods and other creative things.
Akhand Odia Font Family
Akhand Odia is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Odia is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.
Karelia Font Family
Karelia is a contemporary sans serif in four weights and eight styles, sporting a subtle mechanistic flavour. While its spacing, proportions and apertures are geared towards headlines, the details take cues from the opposite end of the spectrum: type designed for the smallest sizes. Karelia elevates these structural elements to an aesthetic role. Dislocated corners carve trapezoid ink traps, echoed by the squared-off counters. The resulting look is conventional in small sizes but expressive when set large.