OTF | WOFF | 36 MB
Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber.In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height “x” with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader’s attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media.In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.
OTF | WOFF | 36 MB
Scrittura was inspired by Anton Scholtz’s font, Honeybird, and developed into a contemporary variation with three styles.Scrittura Moderna: sleek and calligraphic. A dramatic, vigorous yet elegant font, whose upright letter shapes flow into each other like molten gold. Use Moderna for marketing cosmetics and clothing, for book covers, greeting cards, wedding stationery.Scrittura Antiqua: weathered, almost grungy. A new font with an “antique” look , reminiscent of ancient parchment manuscripts. Use Antiqua for certificates, medieval banquet or wedding stationery, theatre posters and programs, and book covers.Scrittura Fantasia: magical and ghostly. A slightly distorted, evoking Halloween, the Day of the Dead, and your favorite horror movie. Use Fantasia for horror comic covers & posters, horror movie posters, CD covers, Halloween material.The font contains over 272 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes "open-type"characters to enhance the flow of the text. It has all the accented characters used in the major European languages.
Speedometer is derived from Dimensions font family that is most narrow and black font for titling and logo. This speedometer is more elegant by its contrast between the thickness of stem and thinness of the arms than Dimensions. This contrast makes more vigorous and speedy impressions too. All 6 weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature.
OTF | 12 Fonts | JPEG Preview | 3.2 Mb RAR
Nemocon is a display font family designed by Carlos Fabian Camargo G. Nemocon It is ideal to make attractive messages. Nemocon has over 2200 glyphs distributed in 6 files OT designed from handmade lettering and usability testing. Nemocon Script (1382 glyphs): based on the rotation of a flat tip brush. Its letters correspond to the uninterrupted calligraphic logic, as well as similar ingredients as the ones used in font Brush Script by Robert E. Smith, created for the American Type Founders in 1942. Nemocon Tuscan (375 glyphs): Inspired by representative types of wood from the 19th century, specifically speedball brawny Tuscan capitals with serifs fishtail shaped. Nemocon Catchwords (115 glyphs) + Nemocon Catchwords Shadow (115 glyphs): categorically inflated words with and without shadows, to accompany, highlight and prioritize. Nemocon Dingbats (114 glyphs) + Nemocon Containers(150 glyphs): unconventional pictograms consisting warm and comforting thoughts designed to highlight words or phrases which needed multicolored illustrations or drawings in black and white.
OTF | 6 Fonts | JPEG Preview | 4.2 Mb RAR
OTF | 8.73 MB
Galea is a slightly condensed serif typeface with long extenders. Its elongated proportions and graceful terminals seek to bring femininity and elegance to any layout. It is a display face that works well at large sizes in editorial contexts as a headline, titling or introduction to a text. Galea was designed by Isabel Urbina Peña while at Cooper Union’s [email protected] Extended Program, 2012 and released on May, 2014.Galea obtained an Honorable Mention from the Fine Press Book Association in the Text Family Category, 2013. Also, it is featured in the book "Playing with Type: 50 Experiments" by Lara McCormick, Rockport Press, on Parenthesis Magazine, Autumn 2013 on Behance’s Typography Served and will appear on “Typography Magazine”, Japan (Nov 2014).
Lemonade font inspired from vintage style of packaging. Its really great font for your band, company, label, clothing company, vintage or classic stuff, etc.
TTF | 1 Font + JPEG Preview | EPS, AI, PSD | 6.6 Mb RAR
Leroy is a font family of 5 members designed from geometrizing Roman and Gothic skeletons. Its purpose is to provide optimal reading of titles and paragraphs with strong mechanical flavor. Because of this, its variables are designed to sort information in media such as labels, signs and industrial atmosphere packaging related with the Soviet Union’s fonts in 1920. This idea matured white horizontal lines superimposed on alphabets drawn with an ancient architectural team known as “Leroy K & E Controlled Lettering System”. Then that evolved into a family concept unifying its proportion to the same X height for its members, resulting in a versatile type system.Therefore, Regular and Bold variables have low contrast between thick and thin strokes. Its upstream and downstream are extremely short, generating a suitable interline that clogs the vertical area. Its overall width equal to its X height, supports its tight spacing that compacts the horizontal area. Therefore, the variant with black caliber has plenty of contrast between thick and thin strokes. The light variable has a “blind” effect radiating light halos, ideal to propose hierarchies and combinations with orthogonal projection. In that sense, Leroy’s modular character reminds constructivist ideology merged with typographical variants suitable for graphic design with geometric look.
OTF | 5 Fonts | JPEG Preview | 3.6 Mb RAR
OTF | 2.43 MB
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Secca is a fine typeface honoring the roots of early German grotesque type designs but mastered for the needs of today.The weights from Light to Bold work perfectly for body text. The Ultra Black and the Hairline weights give extra typographic freedom for headlines and signage.
OTF | 184 KB
Festival Script is a logical evolution within the deco script territory previously explored by Koziupa and Paul in efforts like Aranjuez, Bellas Artes, Heraldica and Tanguera. In Festival Script, strong bilinear contrast and ornamental swashes combine to convey a sense of modern luxury. This combination echoes the current trend in consumer goods of elevating simple, everyday products to objects of desire.Festival’s basic structure is the familiar Koziupa aesthetic of tapering stems and sharp endings, but this time informed by a more geometric sensibility. A wide variety of thin, ribbonlike strokes add a beautifully ornamental feel, evoking Argentine “filete” motifs. Almost every letterform includes multiple alternates, providing design possibilities from minimal to exuberant.Festival Script Pro is loaded with alternates, swashes, endings and Latin-based language support.
OTF | WOFF | 36 MB
Workhorse is a Sign Painter’s Gothic developed by Master Sign Painter Greg Reid. Workhorse captures the true essence of hand lettering. From the tapered waists to the elegant snaps of the brush; these elements present a warmth unseen in today’s mechanically stiff Gothics. Greg Reid and Charles Borges de Oliveira collaborated to bring this truly one of a kind typeface to fruition. With the power of Open type, Workhorse utilizes Contextual Alternates to create random variations of the capitals and lowercase letters. This allows your text to have subtle differences in the letters without losing form which helps to create an honest hand lettered look. This feature can be turned on or off to suit your individual style. You also have the ability to manually choose the glyph variations from the glyph pallet to help you create one of kind designs. Both versions of Workhorse feature complete variations of the capitals and lowercase letters (56 total), Small Caps and six alternates. The Small Caps are not just the capitals scaled down. They have been designed as a unique second set that adjusts the stroke thickness to match the existing letters, creating what we like to refer to as “Real Small Caps”. Workhorse is a timeless classic that can be used from early Americana advertising all the way up to present day modern use.? No matter how you use Workhorse it always looks and reads well.
OTF | WOFF | 13.7 MB
Story Brush is the high detailed brush font that has over 240 glyphs. This font is equipped with OpenType feature to make custom feel for your design. The story brush typeface is designed for t-shirts design, logos, horror design, grunge & etc. Use discretionary ligatures to make your design really nice!
OTF | WOFF | 8.77 MB
Gusto is a mixture of San Serif and Humanist style fonts together. We put the craft into the character. It’s a unique option available for you.
OTF | WOFF | 28.4 MB
In the world of webfonts, Condensed proportions are key to maximizing your page’s premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne’s Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web’s unique constraints. Enter Coegit Sans.Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer.Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure.The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging.While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.
OTF | WOFF | 31 MB
Roper is a western styled font that comes in a sans and a serif version, each version has a regular, press light and a press heavy option. The press versions are a letterpress/stamped style.Although Roper is an all caps family of fonts and was designed as a display font, it can be used in many ways. Roper gives the user many options to choose from with regards to styling, this helps bring whatever it is you are creating with Roper font, come to life.
OTF | WOFF | 35 MB
Sanzibar Pro is an elegant sans serif typeface with spurless, medium contrast letterforms and a well balanced mixture of straight, rounded & angled terminal styles. These hybrid characteristics lend a slightly exotic appearance to some of the clean, classic forms, hence the decision to use the onomatopoeic pun when naming the font.Sanzibar’s split personality is further enhanced by the inclusion of swashed and stylistic alternates which let the user embellish and personalise text settings with ease, changing the dynamic of any design or document instantly. This ability to morph itself on the fly is a key characteristic of Sanzibar, shapeshifting from classic to flamboyant styling via the extensive glyph palette. Two fonts for the price of one in effect.Also included are the “Alphabats”, a suite of ornaments, dingbats and symbols that provide an extra decorative accompaniment to the alphanumeric glyphs, perfect for space dividers, borders and stylistic adornment. The Alphabats are also available as a standalone free font.
The first sans serif types were made in London in the early 19th century. They were severely modern, all caps and bold. The Figgins foundry, inventor of the term sans serif, showed a ?ne example in its specimen of 1836. The extra bold weight of Figgins Sans is a close revival of the original, with the addition of a lower case which retains its partly geometric, partly grotesque quality. The family is rounded out with other weights and an italic, and extended into Cyrillic and Greek, all executed in what is assumed to be as authentic a manner as possible, given the hypothetical nature of the exercise. Together with Scotch Modern, comprises The Modern Suite of matched fonts.
OTF | 4 Fonts | JPEG Preview | 8.7 Mb RAR
LABEL PRO XL is a massive high quality collection of classic, modern and vintage labels. Containing more than 150 glyphs, LABEL PRO XL is convenient and essential in numerous business sectors; such as food or non-food labeling, B2B and B2C sales; stickers, stamps or advertising designs etc. LABEL PRO XL offers you a quick & easy solution for all vector designs and application software. The LABEL PRO XL font is fully handtraced, a first-class and worldwide highly appreciated quality. LABEL PRO XL, a complete font that contains twelve different styles, tons of combinations, cool swaches & flags, LABEL PRO XL is particularly developed for creative people.
OTF | 12 Fonts | JPEG Preview | 7.2 Mb RAR
- Looking back on my production to date, neither so little nor so large, it does not come as a surprise to find myself now introducing Lady Rene.
- A brief review of my career would read as follows: graphic designer graduated from Buenos Aires University, a 10-year professorship in Typography in the same institution, an illustrator in the making.
- For almost 15 years now my work has focused on the design of editorial pieces, predominantly books and CD sleeves. Typography proper has always been central to my research projects.
- All my obsessions eventually embodied as much the search for a perfect, spotless text as for a daring and provoking one. In my view, "how-to-say-something" ranks highest amongst a graphic designer’s responsibilities.
- It was in this vein that I called in the written word to illustrate, to draw, to narrate. Why not reverse the saying and proclaim that “a word is worth a thousand images”? If so, one single word could trigger endless meanings, associations, ideas, and memories in every reader’s mind. Language, we know, has a strong power and is a living expression of a culture.
- In my illustrations, letters and drawings reunite in one synergy said and unsaid, the finiteness of the message and the freedom of the free reading.
- And this is how and when, Lady Rene, my first born type font sees the light of day conceived out of a love of illustration and a reverence for the written word, recalling the whimsicality of the handmade drawing and reflecting its sensitive, warmth and spontaneity.
- enabled by the characteristics of Open Type and the hard, outstanding work of designer Ale Paul, Lady Rene succeeds in composing texts in a simple, organic way by means of its contextual and stylistic alternates, swash characters, ligatures and connecting words.
- A bundle of decorative miscellanea completes the set of signs, enabling the user considerable freedom to create new typographic landscapes.
- Lady Rene is then prepared, very much like a character in a short story, to come to life in the reader’s mind. I expect you will enjoy her as much as I did creating her.
- Joy is sure to spice up your text life! She overflows with style and personality. She loves to be center stage on headlines, flirting with her readers eyes. There are over 100 ligatures, creating words with some letters connecting and others standing on their own. This creates a modern, fresh, handwritten look.