Native + Instapress

Native typeface comes in TTF format. It was inspired by the lettering that has been popularized by various lettering artists over the last 4-5 years. Originally a take on an Americana style of lettering, Native screams "Whiskey Label", but will look great on anything from a type based logo to Apparel Design. This is my first font and hopefully first of many. Not only does this include Native TTF, it also includes a Photoshop Action called "Instapress". This is a personal action I've been using on my own designs for a while. It comes with a PSD file that let's you know how to size your artwork for the Action to work the way it works for me! It comes with 3 different actions: Instapress Thin, Instapress Medium, Instapress Thick. All made to work on different font weights. Feel free to try all 3 to see which one fits best with your artwork. It was made on CC & worked great on CS6 as well. Works with Vector artwork & Transparent PNG. Originally I planned on just selling the font, but I thought, why not add this in as well! Enjoy :)

TTF | 1 Font | ATN | PSD | 9.6 Mb RAR

Atrament Font Family

The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - Revolucni slovn’k almanac (1922), designed by Karel Teige. The lettering on this cover is a condensed sans serif with rounded stroke terminals. Atrament is significantly broader than the model and its characters are better balanced, reflecting the evolution of semi-condensed sans serifs throughout the 1960s. The horizontal strokes of both lower and upper case are less stressed than the vertical stems. Noteworthy are the unusual tiny gaps in the apex and vertex of letters with diagonal strokes, designed to prevent ink from spreading and smudging the letter shapes. This detail is one of the main features of the font’s character. The general feel of the italics closely matches the strictly vertical, parallel character of the regular cut.

OTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR

YWFT Burls Font

YWFT Burls comes at you like the late-60s Minnesota Vikings defensive line. Burly, thick, massive, manly, and tough with retro thickness and fifty pounds of lard-enriched meat sauce.

OTF | 1 Font | JPEG Preview | 3.2 Mb RAR

Mauritius Font Family

Ten years or so after his unique treatment of Garalde design with Trump Mediaeval, Georg Trump took on the transitional genre with Mauritius, which was to be his last typeface. He started working on it in 1965. The Stuttgart-based Weber foundry published a pamphlet previewing it under the name Barock-Antiqua in 1967, then announced the availability of the metal types (a roman, a bold and an italic) a year later. The global printing industry was already in third gear with cold type technology, so there weren't that many takers, and Weber closed its doors after more than 140 years in business. Subsequently, Trump’s swan song was unfairly overlooked by typography historians and practitioners. It never made it to film technology or scalable fonts. Thus, one of the most original text faces ever made, done by one of the most influential German type designers of the 20th century, was buried under decades of multiple technology shifts and fading records. The metal cuts of Mauritius seem to have been rushed in Weber’s desperation to stay afloat. So the only impressions left of the metal type, the sole records remaining of this design, show substantial problems. Some can be attributed to technological limitations, but some issues in colour, precision and fitting are also quite apparent, particularly in Mauritius Kursiv, the italic metal cut.

OTF | 9 Fonts | JPEG Preview | 4.6 Mb RAR