Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

UPDATED | TypeTogether | 8 Static OTF/TTF/Web | 2 Variable TTF | SALE PAGE $213

  • Catalpa was made to be an overwhelming headliner, like the quirky and hulking wood type that inspired it. With only four thin and four heavy weights, being a display family is its single-minded purpose. Selección Clap, (mention), Mejor diseño de fuente tipográfica para titulares 2020. GOLD Indigo Awards 2021. 


  • Primed for headlines, Catalpa is designed to give words bulk and width and gravity itself.
  • The Catalpa font family is José Scaglione and Veronika Burian’s wood type inspired design for an overwhelming headline presence. It has no regular weights, only four slender and four hulking weights. Catalpa wasn’t made to be normal; it was made to overwhelm, to stand out, to bellow.
  • Catalpa is the first font family within a trilogy that will be released through 2020. Each of the three have a distinct purpose and their own look, but they serve a common goal: to act as a complete family covering an editorial’s wide array of needs. As the first of the three, Catalpa is the bookend font family with a headlining purpose.
  • What requirements are there for a great headline typeface? Distinction, weight, and cohesiveness are a good start. Its distinctiveness must catch attention, it must have a range of weights applicable to its purpose, and its internal consistency and external look must create a cohesive family. Catalpa is a distinct and unified family whose weights are attuned to its single-minded purpose — headlines and large text.

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

  • Catalpa has only eight styles that are divided into two ranges of weights — four very light weights (Hairline, Thin, Extralight, and Light ) and four very bold ones (Extrabold, Heavy, Black, and Extrablack). The thin and heavy ends of the spectrum also have their own variable fonts, each with one axis of weight so designers can fine-tune their work. The geometric influence of the design is more obvious in the light range, with their line thickness increasing in the classical manner. The bold weights increase more in width and substance to serve well in websites, mobile apps, posters, advertisements, and magazines that aim for impact more than spreading information.

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

  • As a family, Catalpa gels in big headlines, short sentences, and isolated words. The family has many recognizable features, in the bolder weights especially, like the reversed contrast ‘S, s’ or the angular design of ‘Q, M, W, w, a, f, 2, 3’. Catalpa’s headlining mixture of geometry and quirkiness leaves an impression that is so characteristic of wood type, but designed for substrates and screens.

 

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!

 

 

Catalpa - 8 Static Styles + 2 Variable Fonts NEW!



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