https://www.stormtype.com/families/ozdoby/

Symbol fonts useful for magazines, invitations, posters or guidebooks. The set includes heraldic figures, leaves, decorative endings, various skull forms, weather signs, borders and many more.

https://www.myfonts.com/fonts/branding-with-type/bw-gradual/

Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.

CM 1519658 - Jazzling Script & Sans - Font Duo

Jazzling is a script font, originally made with a brush pen, then digitized. It comes in both slanted and upright versions. I've also included a complimentary sans serif font, in regular and demibold weights. The Jazzling Duo has a vintage yet modern calligraphy feel to it. Its casual, friendly elegance is perfect for branding, logo design, packaging, merchandise, t-shirt, quotes, social media, editorial and much more! Jazzling Script, both slanted and upright, comes packed with opentype features like ligatures and stylistic alternates. Browse through the preview images to see some design examples. Multilingual support covers the following languages: Afrikaans, Basque, Breton, Danish, Dutch, English, Faroese, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Javanese (Latin), Malay (Latin), Norwegian, Portuguese, Sami (Southern), Spanish, Swahili, Swedish and Walloon.

https://www.myfonts.com/fonts/alias/ano/

A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular - a ‘standard’ alphabet; Upper Lower - where upper case characters are replaced with oversized lower case; Wide - where upper case characters are the width of a square, and lower case the same style half the width of a square. Each style drawn in italic and back-italic versions. The resulting nine variations in six weights made 54 fonts in total. For weights Regular through to Eighth the character weights divide in half. So the Half weight is half that of Regular, Quarter weight is quarter that of Regular and so on. This means for example that when Ano Half is set at twice the size of Ano Regular the weight of line is the same between the different character sizes. This proportion was used whenever typefaces were used in combination, so that headline and standfirst typography always had a consistent weight of line. The different styles and mathematically defined weights allowed for a variety of layout options. For example by using different sizes and mixing up upper and lower case letters in Upper Lower, and by stacking letters into block shaped words in Wide. The two bolder weights were drawn without this mathematical weight increase, as doubling the Regular weight would have filled in its counters and look clumsy. These Bold and Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights. Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights.

CM 1501769 - Alice Blue

Alice Blue is quite lovely font that you can use in many projects / designs. Please check “great for” section below to find out more.

https://sellfy.com/p/XS0L/

Geometric Sans Serif font family with 6 weights including a thin, light, book, semibold, bold and extra bold. Includes uppercase and lowercase characters, numerals and most common other characters.

a sleek semi-bold serif font. perfect for any project. full commercial license included. Uppercase and lowercase letters + all numerals and punctuation is included.

https://creativemarket.com/gracefulmarket/1244019-Karma-Semi-Bold-Sans-Serif-Font

GOODWYN is a brand new typeface by Cartel Deux™. This font sets inspired by the Retro & Vintage Era. It’s the combinations fonts include a script and Display with a super vintage style, also have a different style for each functionalities. To complete the set of fonts, GOODWYN offers 7 style in the family. To make you project look more retro, we are providing you with a Drop Shadow style in the family. Simply type your words/brands text and ‘BAM!’ you now have a shadow. It's typeface set is perfect for your retro label, logotype, T-shirt etc.

https://creativemarket.com/TyfoMono/1241514-Goodwyn-Retro-Fonts-Family

This is messy and chaotic. A font of disorder. Eclipse! With the use of an old round brush and textile ink, we produced a detailed look of another raging font.

https://creativemarket.com/thebrandedquotes/1232754-Eclipse

Introducing, Vanilatte Font Duo, unique monoline script typeface with two styles of monoline. This font is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc. We also included the sans font as complementary, and also 15 bonus ready made logo templates with food theme!

https://creativemarket.com/letterhend/1253600-Vanilatte-Font-Duo-60-OFF

CreativeMarket Sports font vector 1324274
JPG,EPS
Please, this is not .otf or .ttf file, this is VECTOR file FONT.
You can use it where ever you want in size you create.
Font are rasterized and scalable.

https://creativemarket.com/TeaGraphicDesign/1324274-Sports-font-vector

CM 1527667 - Malifisenta

Malifisenta - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :)

CM 1446498 - Lebakre Font Duo

Lebakre font duo, a double clean bold and monoline script plus and a casual sans serif typeface that never get any wrong for your vintage branding, logo, adventure, fashion things, hipster generator, quotes, posters, and many more. Lebakre Script - A monoline round script with various style with implementation of hand lettering things. Uppercase, Lowercase, Numbers and Puncts, Stylistic Alternates, and Ligature are available in this type. So many variation and possibilities for your design projects. Lebakre Sans - A round bold sans serif font to make a good pairs for Lebakre Script. its an All Caps style, the lowercase are a lil' bit smaller than the uppercase, bring another vibe to your design by combining them for the various style.

CM 1501952 - Marsha Typeface

Marsha Script is a handwriting script font which good looks, trendy and charmed feeling. Create with concern and add your project with jazzy feeling too. Marsha Script is just what you've been looking for! Use Marsha Script on all of your projects to give delicacy and sophisticated taste. In particular would look great on, branding projects, logos, product packaging, posters, invitations, greeting cards, titles, blogs, everything that includes particular charm and you name it. ;) Marsha Script lettering script comes with upper and lowercase characters, punctuation glyphs, numerals and a TTF of web font.Feel free to use it for commercial/ extended license purposes. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Corel Draw X version, and Microsoft Word. And this Font has given PUA unicode (specially coded fonts). So that all the alternate characters can easily be accessed in full by a craftsman or designer. Thanks for looking and we look forward to you take pleasure in it as much as we did creating it!

https://www.stormtype.com/families/preissig-antikva/

This vintage, iconic typeface of original Czech letter-founding has been faithfully revised, extended and newly rendered in 2012. The majority of Vojt?ch Preissig’s type faces have been, from their very creation, subject to controversial evaluations which might perhaps fill more pages than have been set in these type faces so far. The considerable technological backwardness of Czech typography between the world wars intensified the author's creative effort even more. He had been devoting thought to his Antikva type face from 1912 onwards and dozens of hardly perceptible nuances of the same design have been preserved in his drawings. It was his only book type face, but it shows no signs of any hard struggle in creating it. Its extraordinary vividness and elegance are really surprising. It may be still indebted to the forms of Art Nouveau, which was withering away at that time, but its proportions, colour and expression inspire other Czech type designers. Preissig’s Antikva, Menhart’s Figural (and also R??i?ka’s Fairfield) and Týfa’s Antikva represent a clear line of development, very far away from the soft aesthetics of Tusar, Dyrynk or Brunner. The co-author of the modification for computer composition is Otakar Karlas. Without his experience the work would remain only a shadow of Preissig’s design. Our aim was to produce a large family of type faces for the setting of both books and jobbing works. The digital transcription of Preissig’s Antikva came into existence from summer till winter 1998. The direct model for this type face is the most successful, two-cicero (24 pt.) design dating from 1925. The designs of other sizes (12 pt., 14 pt., 16 pt. and then 36 pt. and 49 pt.) lack vividness and are the source of the widespread mistaken belief that Preissig’s Antikva consists of straight lines. That is, unfortunately, how even Muzika and Menhart describe it. Neither is it a Cubist type face as many of the semi-educated think today. Special attention had to be paid to italics. It is apparent that their design is not as perfect as that of Preissig’s Antikva. In contradistinction to the original we have deleted almost all lower serifs in the lower-case letters, enlarged the angle of inclination and completely redesigned the letters a, e, g, s, k, x, ... All crotches have been lightened by marked incisions. In other words, none of the italic letters corresponds to Preissig’s model. The signs which were missing have been supplemented with regard to the overall character of the alphabet. Preissig did not deal with bold designs, but the crystal-clear logic of his “chopping-off” of the round strokes enabled us to complete the type face family without any greater doubts. An excessively fragile type face, however, cannot be used for setting in smaller sizes; that is why we have prepared a separate family of text designs which has shortened ascenders, normal accents, slightly thickened strokes, and is, in general, optically more quiet and robust. We recommend it for sizes under 12 points. By contrast, the elegance of the basic design will be appreciated most in the sizes used for headlines and posters. Preissig’s Antikva is suitable not only for art books and festive prints, but also for poetry and shorter texts.

https://www.stormtype.com/families/plagwitz/

Plagwitz is the name of the part of Leipzig where the Werkstätten and Museum für Buchkunst are to be found, which, in September 2000, hosted the ATypI Congress. During the lecture on Black Letter type faces, a lovely quotation from Bismarck could be heard: ?I never read German books set in Roman type.? These circumstances gave me the idea that it would be nice to create some distinctive Black Letter type face. The best Black Letter type faces we know date from the Gothic period, when books were copied by hand, with the use of a bevelled quill. Our alphabet still takes into account Neo-Classical influences when decorative ascenders of upper case letters were added. In 19th-century typography, such Black Letter type faces were frequently complemented with Didot-type Roman faces and steel-engraver’s scripts. I, too, would recommend to combine Plagwitz-Gotisch with type faces like, for example, Hercules, Genre, Excelsor Script and Splendid Quartett.