Apisonic Labs Speedrum v220.127.116.11
R2R | 2021.09.16 | 22.11 MB
Speedrum is an MPC style drum sampler.
Designed for easy startup and fast workflow, but with powerful features if you need them.
32 pads with essential effects, and with 8 sample layers per pad.
Togu Audio Line TAL-Dub-X v1.8.2
R2R | 2021.09.13 | LiNUX | 21.74 MB
TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OSX 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound.
Togu Audio Line TAL-DAC v1.6.2
R2R | 2021.09.13 | LiNUX | 21.5 MB
TAL-DAC is not an ordinary bit crusher or sample rate reducer. The plug-in is based on the TAL-Sampler sound engine. It emulates a sample recorded on a low sample rate with reduced bit depth and upsamples it to the desired host sample rate.
Togu Audio Line TAL-U-NO-LX-V2 v4.5.4
R2R | 2021.09.13 | LiNUX | 26.49 MB
TAL-U-NO-LX is a complete rewritten emulation of the popular Juno 60 with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The synth was calibrated after a hardware device that's property of TAL.
Togu Audio Line TAL-Sampler v3.6.2
R2R | 2021.09.13 | LiNUX | 36.06 MB
TAL-Sampler is not just a sample player. It's a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.
Togu Audio Line TAL-Mod v1.8.3
R2R | 2021.09.13 | LiNUX | 28.36 MB
TAL-Mod is a virtual analog synthesizer with an exceptional sound and almost unlimited modulation possiblities. Its special oscillator model is able to create a wide range of sounds, from classic mono to rich stereo leads, effects and pads.
Togu Audio Line TAL-J-8 v1.5.3
R2R | 2021.09.13 | LiNUX | 29.99 MB
The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.
Master Tones British Kolorizer v1.1.0
LiNUX | VST3 AU AAX | 18.2 MB
From vintage to vavoom, the British Kolorizer, or the “BK” for short, takes sound to a whole new level. The opulent sound of tomorrow, comes to you today. The BK delivers the sharp ultra-modern advantage of AI.
U-he ACE v18.104.22.16892
LINUX | Regged | 68.3MB
ACE: Any Cable Everywhere
Compact, clear, a careful selection of modules and semi-modular architecture makes ACE easy to learn. Simple but not simplistic. Compact but not limited. Clear but definitely not underpowered. With the ability to connect any output into any input, ACE is a powerful synth with tools and features ready for beginners or seasoned users.
U-he Diva V22.214.171.12492
LINUX | Regged | 130 MB
Diva: Dinosaur Impersonating Virtual Analogue synthesizer. Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. Diva is more than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your own unique hybrid.
U-he Zebra 2 v126.96.36.19992
LINUX | Regged | 197 MB
Zebra2 is a sound-design playground. A powerful, high quality (but still cpu friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.
Bitwig Studio v4.0.1
LiNUX | 235 MB
Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. Version 3 saw the birth of The Grid, our modular sound-design environment. And for version 4, new musical timelines have arrived.
FigrCollage 3.0.2 | macOS | 62 mb
Make a photo collage in the form of any shape, number, word, or text. Make a heart collage, number collage, letter collage, word collage, or a collage from any alphabet. Absolutely anyone can make a collage from a shape or text in a few minutes — no design expertise or experience needed. We bet you’d be pleasantly surprised with the ease of use and the quality of results! Make a collage in one of the standard shapes or use your own custom shape. Here’re some sample pictures made using FigrCollage.
Audio Damage AD037 Kombinat Tri v3.1.0
LiNUX | RETAiL | 17.1 MB
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.
Audio Damage AD051 Continua V1.1.0
LiNUX | RETAiL | 26.2 MB
Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix.
Audio Damage AD36 Dubstation v2.2.0 | LiNUX | 5 MB
The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.
Audio Damage AD046 Quanta v1.2.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 11 2020 | 26 MB
Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.
Audio Damage AD043 Filterstation2 v2.1.1 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 04 2020 | 28 MB
Filterstation2 is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say "indispensable") by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer's toolkit.
Audio Damage AD049 Enso v1.1.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 02 2020 | 28 MB
Audio Damage has announced the immediate availability of its latest plugin for Windows, Mac and Linux.
Audio Damage AD044 Discord4 v4.1.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 02 2020 | 25 MB
Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modeled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities.
Audio Damage AD045 ADverb2 v2.1.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 02 2020 | 16 MB
ADverb2 is a full update of our classic ADverb (originally named "Reverence") vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.
Audio Damage AD048 PhaseThree v3.1.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Dec 02 2020 | 16 MB
PhaseThree is a detailed model of the Mutton Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do.