Canon Log is one of the nicest logs to work with on cameras. I first used it with the Canon C300 then with the 1DC and C100. It grades very easily yet retains highlights and shadow information really well. With the C300 MKII, Canon introduced C-LOG II which was even better.
Film Grade Creative ‘Looks’ & Classic Film Stock ‘Looks’ based on CINE4 gamma from Sony cameras. The classic DELUTS looks that you had in SLOG now available in CINE4 gamma, plus 34 Classic Film Stock Looks. Suppled in 17x17x17, 33x33x33, 64x64x64 lattice points in .cube format. Other formats available, please enquire for more details.
Canon Log is one of the nicest logs to work with on cameras. I first used it with the Canon C300 then with the 1DC and C100. It grades very easily yet retains highlights and shadow information really well. With the C300 MKII, Canon introduced C-LOG II which was even better.
137 Creative Colour Grading LUTs for SLOG2 & SLOG3 in a wide range of editing applications that support .cube format LUTS. Such as Adobe Premiere CC, Adobe After Effects CC, Adobe Photoshop CC, Final Cut Pro X, Adobe Speedgrade, DaVinci Resolve.
3D Luts is a set of high-precision film emulations for Davinci Resolve, Premiere Pro, Final Cut Pro X, Motion and After Effects.
I have been working on a set of Luts for the GH4/R VLOG-L camera. Its an older camera now having been announced back in February 2014. At that time it was uncommon to have LOG curves in small cameras. At that time I had the Canon 1DC and that having CLOG it was something I really missed from the GH4. Well the wait it just about over and Panasonic have been hard working on VLOG for this camera and its out any day now. I've been shooting with Nick Driftwood over the last few weeks trying to get my head around VLOG-L in person rather than working with 2nd hand media and I must say I really like it.
Deluts LUTs Set 4 for AE, Premiere, Reslove and FCP X (Win/Mac) | 293 MB
A set of 92 film grade LUTS.
Control the LUTs with simple RGB curves and opacity layers. Most clips that you apply LUTs will need base exposure correction with the variables of shooting