Akhand Malayalam Font Family

Akhand Malayalam is a family of 8 compact mono-linear typefaces and part of the super family Akhand Multiscript. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Akhand Malayalam is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

Akhand Devanagari Font Family

Akhand Devanagari is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Devanagari is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

Akhand Sinhala Font Family

Akhand Sinhala is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Sinhala is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

Akhand Odia Font Family

Akhand Odia is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Odia is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

Akhand Kannada Font Family

Akhand Kannada is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Kannada is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

Akhand Gurmukhi Font Family

Akhand Gurmukhi is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Gurmukhi is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

https://www.indiantypefoundry.com/fonts/akhand-gujarati

Akhand Gujarati is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Gujarati is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.

https://www.indiantypefoundry.com/fonts/akhand-bengali

Akhand Bengali is a family of 8 compact mono-linear typefaces and part of the super family Akhand Multiscript. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Akhand Bengali is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant. The Akhand Bengali family includes eight font styles. This broad range of weights makes combinations with a strong degree of contrast possible; the lightest and the heaviest styles may be mixed to create a powerful effect in your design. Each font style contains 663 glyphs, offering full support for conjuncts and ligatures.

http://www.myfonts.com/fonts/indian-type-foundry/akhand-soft/

Akhand Soft is an extension to our popular Akhand series. All of the corners of the typeface’s characters are rounded, making Akhand Soft a friendlier and more informal variant of the Akhand Latin family. Featuring condensed, straight-sided letterforms, Akhand Soft is virtually a mono-linear sans serif design. The construction of the letters are based on a modular structure, but not every aspect appears constructed. Its forms look great on their own in logos, and headlines function well when different weights are combined together. The eight fonts are part of the larger Akhand Super family, which covers a variety of Indian scripts.

OTF | 8 Fonts | + JPG Preview

Akhand - Newest Condensed Mono-linear Sans Serif Font Family $65

8 OTF Fonts | Designer: Satya Rajpurohit | Design Date: Jan 29, 2015 | TURKISH SUPPORT

Akhand is a family of eight fonts for display applications. Featuring condensed straight-sided letterforms, Akhand is a virtually mono-linear sans serif. The design of the face is based on a modular structure, but not every aspect looks constructed. Its forms look great on their own in logos, and headlines function well when different weights are combined together. The fonts are part of the larger Akhand super family, which covers a variety of Indian scripts.