Reina Neue Collection, Heavy Romantic Letterform

41 OTF Fonts | BUY COLLECTION

• When I designed the first Reina¹ circa 2010, I was at the dawn of my career as a type designer. The S{o}TA, short for the Society of Typographic Aficionados, described it as complex display typeface incorporating hairline flourishes to a nicely heavy romantic letterform². And it was like that; that’s what I was pursuing at that time since I was very passionate about ornaments and accolades of Calligraphy. Why? I felt that Typography, in general, needed more of them. These subtle flourishes could breathe life into letters. Maybe, I thought it was the only way I could propose something new into the field of type. However, after some years, I came across a very interesting quote: –Beautiful things don’t ask for attention– Wow! What did this mean? How could something be attractive if it’s not actually showing it. Could this be applied to my work? Sure.

Reina 18xOTF 

OTF | 18 Fonts | JPEG Preview | 6.4 Mb RAR | Sale Page
12 Standart | Capitals| Engraved Pro | Engraved Standard | Fleurons | Pro W01 12 | Pro W0 36 | Pro W01 72
Pro W01 Engraved | W90 Capitals | W95 Fleurons | W95 Words 1 | W95 Words 2 | 12 Standard
Capitals | Engraved Pro | Engraved Standard | Fleurons

• Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide. Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.

 

Reina Pro, Thicks & Thins [ Reina 12 Pro ]

Neue Machina Font Family

7 Fonts [ Missing 2 Fonts Thin & SemiBold ] | ++Prev,ews | RAR 12.1 MB | SALE PAGE

• Neue Machina is a powerful and meticulously crafted typeface boasting monospace/geometric type features as well as apparent and deep ink traps in its heavier weights. It is inspired by the aesthetics of robotics and machines — a font suited for the future of technology. It was design to be versatile, to blend in your designs in its lighter weights or to give them a lot of personality in its heavier ones. 7 weights with 544 glyphs each combined with Stylistic Alternates, ligatures and more. Language support for the Americas, most of Europe & Cyrillic languages.

Neue Swift Font Family 12xOTF $948

12 OTF | 1.26 MB | SALE PAGE

Neue Swift is a serif typeface designed by Dutch designer Gerard Unger. It was originally released as Swift in 1985 and then later updated by Unger in 1995 as Swift 2.0. In 2009, Unger updated the typeface yet again, now with the name Neue Swift. The design features heavy serifs and large counters, making it easily legible even in less-than-ideal printing conditions. Neue Swift is available in six weights—light, regular, book, semibold, bold and black—each with matching italics.

Neue Haas Grotesk Pro Font Family

22 OTF Fonts | TTF | by Monotype | 2.25 MB RAR | SALE PAGE

• Christian Schwartz sees his version of Max Miedinger’s seminal Swiss Modern sanserif as “primarily a restoration.” Reclaiming the warmer personality of the Haas original, he reinstated smoother curves and undid the compromises of intervening technologies and a one-size-fits-all approach. In a range of weights tailored to today’s publications, separate fonts for Text and Display now excel at their respective tasks;

Neue Aachen Pro Font Family

OTF + TTF | 18 Fonts | JPEG Preview | 1.74 Mb RAR | SALE PAGE

Impressed by the quality of the Aachen typeface that was originally designed for
Letraset in 1969 and extended to include Aachen Medium in 1977,
Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family.