
Futura ND Font Family
- Futura does give a restful, almost bland impression, which accords with Renner’s objectives. Futura seems classical, not only due to the form of its capitals, but also to the open, wide forms of the geometrical small letters. The typeface relies on notions of classical, yet contemporary form — harmony and evenness of texture.Futura ND was completely digitized anew from the original sources of the Bauersche Giesserei, now held by Bauer Types in Barcelona. Thanks to the modern digital technology Futura lives on in a greater variety than ever, offering a wide choice of typographic solutions for contemporary design in the new millennium.

Futura Futuris Font Family
https://www.myfonts.com/fonts/paratype/futura-futuris/
The typeface was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov. Based on Futura of the Bauer company, 1927 by Paul Renner. Futura is a registered trade mark of Neufville, SL. Condensed styles were added by in 1993 by Vladimir Yefimov and Alexander Tarbeev.

Futura Black Font Family
Originally drawn by Josef Albers in 1926 at the Bauhaus, then later composed as a typeface by Paul Renner in 1929. URW now brings us this design classic digitized and ready via opentype format.

https://www.myfonts.com/fonts/wiescherdesign/futura-classic/
FuturaClassic is a recut of Paul Renners original Futura. This version was what Mr. Renner wanted the Futura to look like. He had to change his very stringent design because the market wanted a more pleasing typeface. I think the original design is worth saving because it is much more typical and has a personal and distinguished touch. I have also designed Geometra Rounded with rounded endings that looks more interesting than your usual DIN type.














Decora Arabic Font
TTF | 1 Font | + JPG Preview | SALE PAGE
Decora Arabic is a new creation of Naghi Naghashian.
Decora Arabic’s design fulfills the following needs:
- A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of Naskh which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today.
- B. Suitability for multiple applications. Gives the widest potential acceptability.
- C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator.
- Decora Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
- D. An attractive typographic image. Decora Arabic was developed for multiple languages and writing conventions. Decora Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.
- E. The highest degree of calligraphic grace and the clarity of geometric typography.
- This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Ebhaar Arabic Font
OTF | 1 Font | JPG Preview | 1.4 Mb RAR
The word ‘Ebhaar’ in the Arabic language literally translates into ‘Dazzle’.
Ebhaar is an Arabic display font with a dazzling style that captures
the beauty of brush-pen lettering and fuses it with the traditional features of
Arabic calligraphy. The font suits both heading and casual titling and
it supports Arabic, Urdu and Persian Language.

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